Felipe Posada is a Contemporary Artist and Creative Director holding an M.F.A in Digital Art with a focus on Motion Media from the Savannah College of Art and Design (2003). Over nearly two decades, Felipe has dedicated himself to the design, direction, and production of content for commercials, branding campaigns, and immersive experiences.
In his role as a CD/Director, Felipe has collaborated with a diverse array of global brands, advertising agencies, production studios, and clients, including BMW, Adobe, Hard Rock Hotels, Facebook, Meta, Google, and Spotify.
On the artistic front, Felipe's body of work, known as The Invisible Realm, has garnered global recognition. His work has been featured and published by esteemed publications such as Elle, Allure, Vogue, WSJ, and Forbes. Additionally, his artwork has been showcased in both group and solo exhibitions at galleries in New York City, Texas, Los Angeles, and CDMX. Notably, his series, The Edge of Reality, debuted through Guy Hepner NYC, achieving international acclaim with limited editions shipped worldwide.
Further showcasing his prowess in the digital art realm, Felipe's recent projects, including Quarantine Dreams, String Theory (Post-photographic perspectives II), and Mauer, have experienced tremendous success, selling out within 24 hours of their respective launches.
Felipe splits his time between New York City, where he oversees his commercial projects, and Cali, Colombia, where he operates his art studio.
Artist Statement
My art is a journey through the invisible realm - a space where intuition, memories, visions, and dreams are free to take visual form. I use my art to delve into concepts that have fascinated, scared, and intrigued me since childhood. The compositions are complex and filled with symbolism and hidden meaning. My work often touches on topics such as metaphysics, mythology, space exploration, sacred geometry, anthroposophy, and quantum physics, with a touch of nostalgia and mixed in with the inevitable influence of pop culture that engulfs us.
Therefore it is valid to say that my work relates to my own existence but it also makes part of a greater conscience ...or to be more precise, to the collective unconscious.
Felipe Posada
Brooklyn, New York City 2015.
Therefore it is valid to say that my work relates to my own existence but it also makes part of a greater conscience ...or to be more precise, to the collective unconscious.
Felipe Posada
Brooklyn, New York City 2015.